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Img8.jpgWhen faced with the prospect of descending into an underground building, some people anticipate a new type of adventure. Others are casually curious. And some dread what might be an unpleasant or even unsafe environment. A well designed entrance can heighten positive anticipation, pique curiosity, and lessen anxiety.

As mentioned in Edifice Complex, architects commonly use three basic entrance strategies for underground buildings:

    • entering through an adjacent aboveground building
    • entering through a conventional doorway from a recessed open-air courtyard
    • entering a surface-level kiosk that shelters stairs, escalators, and elevators

The third option probably differs most from people’s experience with typical surface buildings. Entrance kiosks or pavilions are intriguing little pavilions that affirm a building’s existence without displaying its bulk. The following examples illustrate important design considerations. (Click on each photo to see an enlargement.)

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Subway patrons may be willing to enter the system through a hole in the sidewalk, like this one in Chicago; but students, shoppers, and workers would find this an unappealing entrance to a destination building. A notable exception is the New York Transit Museum, which is located in a historic subway station.

 

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Adding a decorative roof makes a subway entrance more comfortable and attractive, but it still creates the impression of descending into a very utilitarian subterranean space.

 

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Although it is no larger than a subway entrance, this light-adorned, glass kiosk is a more inviting entry structure for the below-ground shopping plaza at Rockefeller Center in New York.

 

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Little glass kiosks that shelter stairways, escalators, or elevators are certainly more inviting than subway-type holes in the pavement. However, their level of sophistication varies. This entrance to the below-ground portion of the Ford City Mall shopping center in Chicago is less elegant than the Rockefeller Center example, but it still conveys the image of an open, airy environment below.

 

 

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The International Center of Photography in Manhattan makes an elegant statement through the use of minimal colors and contours. Bright colors, a high ceiling, and human activity visible inside the entrance pavilion suggest that the subterranean space below is also spacious and interesting.

 

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Glass covers only one wall of the entry pavilion for the Music and Dance Theater Chicago, turning the structure into a huge billboard that showcases a large, colorful sculpture hanging from the rear wall. At night, the pavilion literally glows with activity and interest. Its 40-foot height and solid walls keep the mega-kiosk from being dwarfed into obscurity by nearby skyscrapers and a Frank Gehry-designed bandshell that is being built immediately behind it.

 

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Small glass pavilions can be made more alluring through the use of shape, color, and interior partitions, as illustrated by this downtown shopping mall entry pavilion in Albuquerque, New Mexico.

 

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Even less "straight laced" is this entrance kiosk for the S. Dillon Ripley Center at the Smithsonian Institution in Washington, DC. Architect Jean Paul Carlhian designed the little structure to be "gay and playful."

 

 

Unless otherwise attributed, all SubsurfaceBuildings.com content is © Loretta Hall, 2000-2005.

 

Articles | Home Page | Top Ten Reasons to Bury a Building | Edifice Complex | Recessed Identity | Growin' Where the Sun Don't Shine | Concealed Considerations | Twentieth Century Cavemen | Breaching the Boundary | Under Ground but Not Underground | Elegantly Economical | Bargain Bunkers | Drop In for a Visit | Deep Memories | Drop Back In for Another Visit | Hunkering Down for Defense | UnderWhere? | Hidden Worlds Under Pei's Pyramids | Architect of the Invisible | Building Underground with a Light Touch | Bennett's Buildings | Twenty-Five Years Under Ohio | Building Caves: Wine Not? | Pritzker Under Consideration | Digging for the Green | CSELentry | SubwayEntrances | RockCenterEntry | FordCityKiosk | InternationalPhotog | GaleriaKiosk | MADTC | Ripley Kiosk




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