When faced with the prospect of descending into an
underground building, some people anticipate a new type of
adventure. Others are casually curious. And some dread what might be
an unpleasant or even unsafe environment. A well designed entrance
can heighten positive anticipation, pique curiosity, and lessen
anxiety.
As mentioned in Edifice Complex, architects commonly
use three basic entrance strategies for underground
buildings:
- entering through an adjacent aboveground
building
- entering through a conventional doorway from a
recessed open-air courtyard
- entering a surface-level kiosk that shelters
stairs, escalators, and elevators
The third option probably differs most from people’s
experience with typical surface buildings. Entrance kiosks or
pavilions are intriguing little pavilions that affirm a
building’s existence without displaying its bulk. The following
examples illustrate important design considerations. (Click on each
photo to see an enlargement.)
Subway patrons may be willing to enter the system
through a hole in the sidewalk, like this one in Chicago; but
students, shoppers, and workers would find this an unappealing
entrance to a destination building. A notable exception is the New York
Transit Museum, which is located in a historic subway
station.
Adding a decorative roof makes a subway entrance
more comfortable and attractive, but it still creates the impression
of descending into a very utilitarian subterranean space.
Although it is no larger than a subway
entrance, this light-adorned, glass kiosk is a more inviting entry
structure for the below-ground shopping plaza at Rockefeller Center
in New York.
Little glass kiosks that shelter
stairways, escalators, or elevators are certainly more inviting than
subway-type holes in the pavement. However, their level of
sophistication varies. This entrance to the below-ground portion of
the Ford City Mall shopping center in Chicago is less elegant than
the Rockefeller Center example, but it still conveys the image of an
open, airy environment below.
The International Center of Photography
in Manhattan makes an elegant statement through the use of minimal
colors and contours. Bright colors, a high ceiling, and human
activity visible inside the entrance pavilion suggest that the
subterranean space below is also spacious and
interesting.

Glass covers only one wall of the entry pavilion
for the Music and Dance Theater Chicago, turning the structure into
a huge billboard that showcases a large, colorful sculpture hanging
from the rear wall. At night, the pavilion
literally glows with activity and interest. Its 40-foot height
and solid walls keep the mega-kiosk from being dwarfed into
obscurity by nearby skyscrapers and a Frank Gehry-designed
bandshell that is being built immediately behind it.
Small glass
pavilions can be made more alluring through the use of shape, color,
and interior partitions, as illustrated by this downtown shopping
mall entry pavilion in Albuquerque, New Mexico.
Even less "straight
laced" is this entrance kiosk for the S.
Dillon Ripley Center at the Smithsonian
Institution in Washington, DC. Architect Jean Paul Carlhian designed
the little structure to be "gay and playful."
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